Nah it isn't one thing or another or good or bad, the only difference comes from application and how exploitative the agency is.Well idol culture is cancer. It's slowly healing, but it's still cancer.
Nah it isn't one thing or another or good or bad, the only difference comes from application and how exploitative the agency is.Well idol culture is cancer. It's slowly healing, but it's still cancer.
I don't disagree... but I can't say actual idol agencies aren't some of the most exploitative workplaces on earth apart from sulfur mines. Though shitting on "idol culture" when talking about Nijisanji like assmongoloid and co. did is retarded, since Niji has always, since their inception 5 years ago now, been known as the "just regular old streamers" company as opposed to "we wanna be like AKB48" Hololive and it shows a complete (yet unsurprising) lack of knowledge about anything in this industry.For me, idol culture in vtubing just means wanting to improve in a talent whether it's singing or gaming, no politics or religion or vermintide, and rely on improv comedy rather than lewdtube/female "comedian" comedy. Don't care for unifags or "idol culture is fascist evul" nonsense, the girls are best when healthily limited and forced to be creative and cerebral with their entertainment.
Nux said something I agree withI don't disagree... but I can't say actual idol agencies aren't some of the most exploitative workplaces on earth apart from sulfur mines. Though shitting on "idol culture" when talking about Nijisanji like assmongoloid and co. did is retarded, since Niji has always, since their inception 5 years ago now, been known as the "just regular old streamers" company as opposed to "we wanna be like AKB48" Hololive and it shows a complete (yet unsurprising) lack of knowledge about anything in this industry.
Neither viewpoint is right or wrong, as with most things the truth lies somewhere in the middle.
It only gets murky with chuubas like Suisei or especially Yuri who own/owned their character, and it sucks when a terminated vtuber is unpersoned and their character is basically callously executed (Especially in Selen's case)i struggle to understand how someone sees what is essentially a company casting a role for a character whose design and model they paid for as exploitative because they continue to own the character they paid for.
I'm so sorry this happened to youNux said something I agree with
Because it's not character that bring value, it's person behind it and nothing else. The most exploitative part is NDA that forbid you to acknowledge that it was/is you. This doesn't exist anywhere else in entertainment.i struggle to understand how someone sees what is essentially a company casting a role for a character whose design and model they paid for as exploitative because they continue to own the character they paid for.
Not really, he's falsely equating "idol company" with "black company" which is a popular nonsense idea that many westoids have. While A LOT of idol groups in Japan are abusive and have unfair treatment, that doesn't mean one should tar everyone with the same brush. That leads to trash takes like "well Niji did bad so all japanese corpos must also be bad".Nux said something I agree with
Holo: advertises their talents like they are an idol company
Nijisanji: treats their talents like they are an idol company
It all comes down to cultural perspectives, in japan this sort of arrangement is perfectly fine because companies are much more respected.i struggle to understand how someone sees what is essentially a company casting a role for a character whose design and model they paid for as exploitative because they continue to own the character they paid for.
Keeping ownership of the character is ok. Not crediting the person who's not only the voice actor but also the de facto "writer" for most of the content (even if only under a pseudonym) is not. That wouldn't be acceptable in animé or music or even videogame production and it shouldn't be acceptable in vtubing.i struggle to understand how someone sees what is essentially a company casting a role for a character whose design and model they paid for as exploitative because they continue to own the character they paid for.
Because it's not character that bring value, it's person behind it and nothing else. The most exploitative part is NDA that forbid you to acknowledge that it was/is you. This doesn't exist anywhere else in entertainment.
Keeping ownership of the character is ok. Not crediting the person who's not only the voice actor but also the de facto "writer" for most of the content (even if only under a pseudonym) is not. That wouldn't be acceptable in animé or music or even videogame production and it shouldn't be acceptable in vtubing.
I used to openly have this opinion when I first got into Holo, but I have done a 180 on it. The bad stuff gets seens the most from an outside point of view, but shit like what Nijisanji does and relationship bans are not a core part of idol culture. Nijisanji doesn't even claim to be an idol company and Hololive clearly treats their people much better.Well idol culture is cancer. It's slowly healing, but it's still cancer.
I used to openly have this opinion when I first got into Holo, but I have done a 360 on it. The bad stuff gets seens the most from an outside point of view, but shit like what Nijisanji does and relationship bans are not a core part of idol culture. Nijisanji doesn't even claim to be an idol company and Hololive clearly treats their people much better.
Yeah, I know. Thought I snuck the edit in before someone noticed
Yeah that's what's weird to me as well is these people pushing that niji did an idol approachI used to openly have this opinion when I first got into Holo, but I have done a 180 on it. The bad stuff gets seens the most from an outside point of view, but shit like what Nijisanji does and relationship bans are not a core part of idol culture. Nijisanji doesn't even claim to be an idol company and Hololive clearly treats their people much better.
While really funny, this IS a cherrypicked example.View attachment 63443
Yeah this guy deserves all the credit for all the amazing things he did for Nijisanji
I mean what do you expect of tourists? They only barely tangentially know of Hololive, and go "Oh, Japanese and Idol". Then they hear about Nijisanji which is also Japanese and has bad working conditions, so they just go "Must be idol too, fuck idol culture".Yeah that's what's weird to me as well is these people pushing that niji did an idol approach
Retards they were advertised as streamers they literally have the name LIVERS in their talents whereas holo has IDOLS written on it
Fuckers would rather go on a common rag than read for a few seconds to identify which is which