I haven't watched her so I can't speak from a fan's perspective, but getting "back to work" as soon as possible feels like more of a practical necessity than anything - not just for the immediate need to pay the bills (if she's not streaming then she's not making money), but also because maintaining an audience when there are so many other distractions out there, for a smaller (relatively-speaking) streamer is incredibly difficult. If you break your schedule you see drop-off, which is the main reason why non-compete agreements are such a major factor in agency contracts.
Huge ex-corpos (Nimi etc.) can afford downtime before their re-debut since there's usually a lot of media coverage promoting their comeback, but smaller ex-corpos aren't as fortunate.