"I don't think she'd get it. She's only watched Jurassic Park only recently. She doesn't understand the cultural significance of Chilean sea bass"Lottie Shinju
When the Philippines sends its people, they’re not sending their best. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing crime. They’re bringing autism. They’re stupid. And some, I assume, are good people.
So out of curiosity due to the Millie members post, I decided to check out her steamlabs and superchats. It only shows up to 1 week or 1 month top tippers.
Keep in mind, she's only had 3 streams this month, one of which was an outfit reveal.
So across those 3 streams, what was her steamlabs?
That's right, her 8th highest donor was $1.
What about her superchats?
So that's 64 superchats for her Terraria stream for about $331.87.
16 of those 64 superchats were from Pinkerton, totaling $154.98 (46.7%).
128 superchats for her Zatsu stream for about $893.64.
22 of those 128 superchats were from Pinkerton, totaling $350.98 (39.3%)
116 superchats for her outfit reveal for about $922.62.
26 of those 116 superchats were from Pinkerton, totaling $353.47 (38.3%).
So yeah, Millie very likely could have a worse performing 3D debut than Rosemi. Rosemi's superchat total was ¥276,760 or $1,789.70.
Hopefully Pinkerton isn't tapped out for the month.
Dont know what stream it was that got taken down, it doesnt look like the AR live one he did was taken down. So dont know what stream or video it was that DMCAed.
So yeah, Millie very likely could have a worse performing 3D debut than Rosemi. Rosemi's superchat total was ¥276,760 or $1,789.70.
Hopefully Pinkerton isn't tapped out for the month.
But she said she can stop streaming for months and would be fine financially. No way she lied through her teeth saying that. She was definitely not high on copium and didn't see before us that most of her income comes from a single guy.
Dont know what stream it was that got taken down, it doesnt look like the AR live one he did was taken down. So dont know what stream or video it was that DMCAed.
When the Philippines sends its people, they’re not sending their best. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing crime. They’re bringing autism. They’re stupid. And @Awoogers is all of them.
Considering the background to these streams - 3D debuts, neither have streamed much over the last few months, major talents in the second-most popular EN branch, these are fucking terrible numbers. Nijisanji EN have had four months to come up with a plan to try and reverse public sentiment towards them and all they've come up with is to do nothing. If I were a Nijisanji talent, I'd be seeing about ending my contract early, especially with all the support Pomu received after going back to her indie roots.
If I were a Nijisanji talent, I'd be seeing about ending my contract early, especially with all the support Pomu received after going back to her indie roots.
The problem is the remaining talents aren't Pomu, so they won't get as much attention when they leave and it'll be harder to move people over to their new identities. The lower-performing Nijis are stuck between a rock and a hard place here, their choices are to either stay in Niji and put up with all the bullshit in exchange for pulling in one to two Finanas per stream, or leave and most likely end up back at square one as a 2view.
The problem is the remaining talents aren't Pomu, so they won't get as much attention when they leave and it'll be harder to move people over to their new identities. The lower-performing Nijis are stuck between a rock and a hard place here, their choices are to either stay in Niji and put up with all the bullshit in exchange for pulling in one to two Finanas per stream, or leave and most likely end up back at square one as a 2view.
It depends on how well-liked the talent is and how closely they are associated with the faults of Nijisanji. I think talents like, say, Rosemi and Scarle have generally positive attitudes from the public towards them, they're not seen as part of management or blamed for Nijisanji's issues. I think they'd get a good boost towards their indie life should they leave Niji - a mix of their current viewerbase following them, lapsed fans giving them another try, as well as a bunch of people coming to to see if there's any drama going to be shared, or see what the fuss is about or why the talent was so popular. Maybe a small portion of that viewerbase will stick around long-term because they actually like what the talent has to offer.
Talents like, Millie, Elira, Vox, and Ike are stuck on the yacht though. I hope they're happy with the state of the company they're partly responsible for.
The problem is the remaining talents aren't Pomu, so they won't get as much attention when they leave and it'll be harder to move people over to their new identities. The lower-performing Nijis are stuck between a rock and a hard place here, their choices are to either stay in Niji and put up with all the bullshit in exchange for pulling in one to two Finanas per stream, or leave and most likely end up back at square one as a 2view.
They are 3-view now. Minus 50% CCV, plus 100% revenue = 50% net gain, i'd say greatest deal ever.
add: The catch is: they'd better leave without signing gag order, so they could make some public statements instead of kuro-style (*derogatory) vagueposts.
Or at least not sign any non-disparagement for less than 100k$.
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