If voices are enough, Nenélove is clearly a very fast rodent from Mexico.
be wary of a 6'3" latino coming to get your ass.
I am indeed speedy gonzalez, but not the one you remember from the cartoons.If voices are enough, Nenélove is clearly a very fast rodent from Mexico.
so be wary of a 6'3" latino coming to get your ass.
At this point, I'm really quite confused how much they actually do completely live. I thought it was only the MC segments, but maybe there's an option for solo or groups to do it on-site & live? They obviously script all of the song & camera work (because that's just the Japanese way), but, outside of the full group songs, I wonder how much is actually done via Live Capture right at the time. We're fairly certain Korone, Moona, Fauna, Mumei and Gura weren't there, so any of their segments were done in Japan and then just done via live playback.
I think, except for the transitions, basically none of it is Pre-Rendered, which is pretty cool for where the tech actually is now. And it would explain the complete lack of shadows, shading and specific light sources. But if they are doing stuff on-site, that probably highly limits the actual locations they can use, as you'd still need a fairly sizable secondary space for them to setup their Travel Studio.
Actually, you could back-work which segments were captured in Japan. There'll be a more accurate tracking effect you could observe, on close inspect, compared to the MC segments. So Bae probably did her solo song back in Japan, because I doubt the their mobile setup could handle that.
At this point, I'm really quite confused how much they actually do completely live. I thought it was only the MC segments, but maybe there's an option for solo or groups to do it on-site & live? They obviously script all of the song & camera work (because that's just the Japanese way), but, outside of the full group songs, I wonder how much is actually done via Live Capture right at the time. We're fairly certain Korone, Moona, Fauna, Mumei and Gura weren't there, so any of their segments were done in Japan and then just done via live playback.
I think, except for the transitions, basically none of it is Pre-Rendered, which is pretty cool for where the tech actually is now. And it would explain the complete lack of shadows, shading and specific light sources. But if they are doing stuff on-site, that probably highly limits the actual locations they can use, as you'd still need a fairly sizable secondary space for them to setup their Travel Studio.
Actually, you could back-work which segments were captured in Japan. There'll be a more accurate tracking effect you could observe, on close inspect, compared to the MC segments. So Bae probably did her solo song back in Japan, because I doubt the their mobile setup could handle that.
Bae talked about having a breakdown while doing their rehersal though because the music track they sent for her to perform to was wrong and it took until the last minute for them to get a corrected version. In recent years, I don't think they do the performances themselves live, but they do them on the day, probably a couple hours of before. That way they can avoid any severe technical issues but still have the energy of performing on the day for everyone. MCs are largely live now though.
Stop trying to calculate it dude, most of it is pre-recorded and it's been that way since years ago simply because doing it live would be a nightmare (specially for fes with how many people are involved) and any fuckups would be reported on as the end of the world because of "the sheer unprofessionalism of cover."
Suisei just does whatever she wants its my rratI do imagine it's not Real Time Live performance, but it's a question of the delay. Because Suisei is talking as if the performances were done while the crowd was there. It's just interesting that it seems some stuff has changed with the technology over time. Because I'm fairly certain it was all captured weeks in advance before, like with the big group song where members were posting clips of their dancing in it as Shorts well before the event.
I'm not, I'm saying you could. There's a difference. But there's also an interesting change to a number of the performances not being done weeks in advance, which means the time needed to process the capture is quite different now.
At this point, I'm really quite confused how much they actually do completely live. I thought it was only the MC segments, but maybe there's an option for solo or groups to do it on-site & live? They obviously script all of the song & camera work (because that's just the Japanese way), but, outside of the full group songs, I wonder how much is actually done via Live Capture right at the time. We're fairly certain Korone, Moona, Fauna, Mumei and Gura weren't there, so any of their segments were done in Japan and then just done via live playback.
I think, except for the transitions, basically none of it is Pre-Rendered, which is pretty cool for where the tech actually is now. And it would explain the complete lack of shadows, shading and specific light sources. But if they are doing stuff on-site, that probably highly limits the actual locations they can use, as you'd still need a fairly sizable secondary space for them to setup their Travel Studio.
Actually, you could back-work which segments were captured in Japan. There'll be a more accurate tracking effect you could observe, on close inspect, compared to the MC segments. So Bae probably did her solo song back in Japan, because I doubt the their mobile setup could handle that.
Kronii said she was poking out of a window to look at the audience and wondered if people would see her, so I think they just get a room overlooking the concert hall so they can see the reaction of the whole crowd.From the clip you linked, Suisei mainly talked about her observation of the live audience. It is possible that the performances were prerecorded, but they still get a direct live feed of the audience on that day itself, so that they can "feel" like they are performing live. I remember Gura saying something similar back in 3rd Fes (reminder that they still couldn't travel to Japan during that time). She said she can see the audience live, but nothing about performing live.
Wasn't that in the context of leaving the venue after the show?Kronii said she was poking out of a window to look at the audience and wondered if people would see her, so I think they just get a room overlooking the concert hall so they can see the reaction of the whole crowd.
nah she said before it started she saw the audience getting seated while looking for Kronies before the concert started.Wasn't that in the context of leaving the venue after the show?
Whether they do it weeks before or do it on the day, they're going to have to rehearse it beforehand and surely that's where they get the Shorts dances from?Because I'm fairly certain it was all captured weeks in advance before, like with the big group song where members were posting clips of their dancing in it as Shorts well before the event.
At this point, I'm really quite confused how much they actually do completely live. I thought it was only the MC segments, but maybe there's an option for solo or groups to do it on-site & live? They obviously script all of the song & camera work (because that's just the Japanese way), but, outside of the full group songs, I wonder how much is actually done via Live Capture right at the time. We're fairly certain Korone, Moona, Fauna, Mumei and Gura weren't there, so any of their segments were done in Japan and then just done via live playback.
I think, except for the transitions, basically none of it is Pre-Rendered, which is pretty cool for where the tech actually is now. And it would explain the complete lack of shadows, shading and specific light sources. But if they are doing stuff on-site, that probably highly limits the actual locations they can use, as you'd still need a fairly sizable secondary space for them to setup their Travel Studio.
Actually, you could back-work which segments were captured in Japan. There'll be a more accurate tracking effect you could observe, on close inspect, compared to the MC segments. So Bae probably did her solo song back in Japan, because I doubt the their mobile setup could handle that.
Bae usually has a couple mistakes in her performances, according to her. Whether they do "final recording" or actual live performances, it doesn't really matter, tbh. Recorded or not, the shit they do is impressive as fuck.Given both the spectrum of both dance and singing skills for the performers, I'd imagine the live performances are limited to those that are demonstrated to be completely consistent.
MC is not a problem for live stuff since that's just walking and talking and that's their job to begin with.
- Suisei and Calli, for example, have demonstrated the ability to perform live many times in the past and probably have a go-ahead on performing everything live.
- Talent like Bae is probably allowed to do live choreography with pre-recorded vocals, especially due to her choreography being the sort of stuff that would get in the way of a solid vocal performance.
- Folks like Fauna and Ame, who need not just pitch but timing correction, are guaranteed to have vocals pre-recorded. This probably also means that their sense of physical timing is going to be a little off, so they'll need pre-recorded motion performance to guarantee a good take.
Sure, they'll do a retake if something catastrophic happens like they trip and fall down or completely forget a part, but I don't think they are recording over and over looking for the perfect run. I don't think any of the concert performances (outside of solo-lives) are live, isn't there always that cope that 'live' in Japan just means 'concert' and not 'live'?(unless they do pre-record but only allow 1 take for semi-authenticity, I guess).
Whether they do it weeks before or do it on the day, they're going to have to rehearse it beforehand and surely that's where they get the Shorts dances from?
I'm in the camp that they do record a version for everyone beforehand just in case (Mumei confirmed that she's recovering from Covid in a stream she did a few hours ago, so she wouldn't have been able to be there on the day for example, and there's been previous cases when someone's come down with something just before a concert), but I do think that they also either allow or prefer for people to do it on the day if they're available. Bae's pretty self critical about minute flaws in her dancing in her after-show watchalongs so I'd bet that she'd be pushing for second takes if she was doing it in a studio instead of settling for flawed performances (unless they do pre-record but only allow 1 take for semi-authenticity, I guess).
Given both the spectrum of both dance and singing skills for the performers, I'd imagine the live performances are limited to those that are demonstrated to be completely consistent.
MC is not a problem for live stuff since that's just walking and talking and that's their job to begin with.
- Suisei and Calli, for example, have demonstrated the ability to perform live many times in the past and probably have a go-ahead on performing everything live.
- Talent like Bae is probably allowed to do live choreography with pre-recorded vocals, especially due to her choreography being the sort of stuff that would get in the way of a solid vocal performance.
- Folks like Fauna and Ame, who need not just pitch but timing correction, are guaranteed to have vocals pre-recorded. This probably also means that their sense of physical timing is going to be a little off, so they'll need pre-recorded motion performance to guarantee a good take.