It's definitely to avoid future legal issues. They use fanart for thumbnails and whatnot. AI art right now is in a grey area in terms of who exactly made the art and therefore who the art should belong/be credited to.Possible copyright issues. Easiest way to avoid it is not to use AI-created art.
it’s a confusing legal web
That would make sense, their tweets just didn't sound like it was a legal concern to them.copyright issues
Sometimes I'm dumbfounded, I utterly fail to see any immorality. Sure, definitely aknowledge the tools used, but I have no idea what reddit seems to have against AI art.
"Guys, my oshi is having fun again, make her stop!"Pippa talks about Rekieta's ban for less than 2 minutes, immediately this:
View attachment 1804
Stay classy, jl7.
Neither can CNC machines, so fuck 'em."AI cannot advocate for themselves"
Picture this. You see three people. #1 is a dedicated poopsock no-life just draw artist. The type that has a wacom studio setup and has some overachieving looking fanart or doodle ready by the time the stream ends, just in time to get boosted by the meme status and maybe the talent's manager twitter account.I've read a bit of your guys' conversation about it, but I still don't get what the fuss is about. Art is about feelings and shit, it should look good, how is it relevant how was made? Especially Kiara's "real" confuses me, how is this not real art?
This is not a new thing, as I said before. People resent it when an mindless automated process successfully replicates a feat that used to require a conscious, trained human mind. Also, if you're an artist who has invested years of hard work (not to mention your fragile sense of self-worth) into building a skillset, then the idea that any yahoo with an app can produce a picture that looks as good as yours must be grating. Also also, it means fewer commissions for you as people just tell the AI to make their waifu-smut.I've read a bit of your guys' conversation about it, but I still don't get what the fuss is about. Art is about feelings and shit, it should look good, how is it relevant how was made?
Does this mothefucker think the AI is sentient already?
As an art scholar currently working on your masters’s degree, you are a waste of resources and have less value than the things you consume in order to live.
Frick I just made the mistake of looking at twitter for 10 seconds.Can't be be much worse than this:
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"AI cannot advocate for themselves"
Does this mothefucker think the AI is sentient already?
Sounds like a great flag for which schizos to block. Imagine someone losing their shit just because their oshi LIKED an AI art.Gura is now directly addressing the AI art thing. She's saying that she's scared she's going to accidentally like a piece of AI art in her hashtag, and people will get mad at her.
"What's a Nakadashi? Oh, it's a cream pie? Like the food?" - Pippa
"She isn't having fun in the way that I personally find acceptable and approve of! I will make sure my grievances are known by shitting up her chat and donos until she caves into my every whim like I'm some sort of tranny.""Guys, my oshi is having fun again, make her stop!"
I mean, she did say something along the lines of "I am creampie" before looking it up. I think "Creampie at your own risk" would be more appropriate."What's a Nakadashi? Oh, it's a cream pie? Like the food?" - Pippa
What did she expect?
The reality is that almost everything boils down to marketing, because the story behind the product or art is always going to be more compelling than the art itself to a human audience. Even functional shit like technology is usually sold more by convincing people they need it than convincing them it will make their life easier, just look up how Xerox failed to sell the GUI and just dumped it off on Steve Jobs.If AI art can replace your art you aren't that great an artist and should have been rethinking your life choices years ago.
She did look it up and was rather surprised by it. Maybe no one has gone near the Pippussy in a long time.I mean, she did say something along the lines of "I am creampie" before looking it up. I think "Creampie at your own risk" would be more appropriate.
Vesper I think knows his players are new, he outright said he's made something to the effect of "A game that is easy, but feels hard." when he was talking about new players so I think he knows completely that Magni is going to be a little bit of a glue eating idiot with his first real attempt at DnD. Let's be real, Vesper is an incredible nice guy for the most part especially to his fellows, I doubt he'll make a meat grinder dungeon at level 2 (the level he says Tempus will start on-stream, as they'll be playing level 1 off-stream as a test) just to really test his players. I'd expect something like that to show up around level 5 or 6 if he knows about the power spikes innate to 5e's system where level 5 is an entirely different game due to how extra attack and 3rd level magic changes the game. My only doubts with Vesper is he is a Pathfinder 1.0 kind of guy from what he said, so I don't know how much he actually knows about current age 5e as far as running it.I am interested in how it plays out with him, I can vary a lot in my style depending on the type of group I'm running with and what their expectations are of the game. It's unfortunate that Crit Role kind of bred this age of players that more or less just want a loosely corralled chatroom RP experience with some loose dice arbitration on key events and to be fed this grand story, when that's hardly typical for anyone that isn't a major writing sperg. Even then, that style of game doesn't always mesh with everyone. Sometimes you just want to smash monsters and gather loot. I can get behind someone with a good sense for setting the scene and leading the game where they want it to go and that's where most of my respect for Calli comes from, she is actually really good at bringing your attention into the game, at least for me.
My issue with Vesper's outlook, I feel like it might be a bit harsh for new players that don't really grasp what they're in for. Axel's history with CoC I think he'll be fine since my experience with that system, it's a little unforgiving itself, but I think Magni's going to get rolled. I've played with new players so many times overs the years, I find going too hard on freshies out of the gate kills their mood, so I hope he goes the route where he paints their campaign as some grueling challenge but he's going soft on them behind the scenes so that he can let them have a 'hard won victory' even though he was softballing the entire time. Then he can meatgrinder the fuck out of them in the next campaign.
I wildly oscillate between understanding and not understanding Vesper's stance on not wanting to use 'Elysium' because it's part of kayfabe and would be awkward to them, but at the same time c'mon man we know you're not really a Great Value Alucard. I sympathize and disagree with his stance on it and don't really understand why, beyond yeah, maybe he doesn't want to end up canonizing something that someone else in Cover has plans for.
I get not wanting to play into the kind of game that just feeds players wish fulfillment, but at the same time that can be a good lead to start really challenging the players. Feed them a bit of easy dubs, pander to the character fantasy a little, but slowly you're starting to reel them into the shallows and it's full of grit and pain as now they're invested in keeping their little happiness fountain safe and the threats they're starting to deal with are genuinely concerning. Players that are really into the game will get into the drama of their characters being threatened but managing to scrape by or fight their way out. Players that just want to be catered to will wash out on their own.
The reality is that almost everything boils down to marketing, because the story behind the product or art is always going to be more compelling than the art itself to a human audience. Even functional shit like technology is usually sold more by convincing people they need it than convincing them it will make their life easier, just look up how Xerox failed to sell the GUI and just dumped it off on Steve Jobs.
Lifelong classically trained fine artist here (portraiture and still lifes in oil and charcoal primarily). All artists pretty much hate all other artists. It's like Westerners in Japan when they run into another Westerner. Every other artist is seen as a hostile competitor stealing limelight and specialness from you. I have dealt with it since childhood. My little corner of the art world is fairly small these days and very unhip but I used to be a cartoonist and animator back in the day (talking early-mid 90's) and got to watch that entire field crash and burn around me as CGI was born. I was training since third grade to do what at the time was a dead skill, watch the so-called Disney Renaissance hit (think Beauty and the Beast winning Oscars here) and the WB tv animation boom (I did a little work on some of that)...then watching it die and be replaced with CGI. I am watching this happen all over again now.The people who hate AI art are (unsurprisingly) mainly artists, they had the horrible realization that most people can't tell the difference and AI art has the power to make their income/clout-source completely obsolete. I would normally also be against it, but since artfags are some of the most pompous people on the planet and I find them utterly insufferable, I am actually glad that they are getting knocked down a couple pegs, it will be even funnier when it affects the """professionals""" who paint 2 squares and sell for 100k by making up some bullshit.