Summary merge of the second stream of Yuri Tsunchaka about her Nayuri concert and the round table stream with the liveband :
- Yuri delved more into her role into the concert production : she was in charge of the album production, the production schedule, costume/website/goodies design and the dance choregraphy.
- Usually this is someone else job, but she wanted to have a try at it and get some experiences (aka getting groomed by President Nayuta into being her next slavewage worker)
- How did they choose the name "Crybug" for the concert exclusive Nayuta song : original song name was "Yowamushi" --> litteral meaning it's a bug, it's weak, it's sad, it cry ---> crybug!
- Some songs (mostly the ani-songs ones) were hard to reproduce with live instruments, especially with drums, while jazzy parts are hard to play at all.
- The band has to be careful on its "atmosphere flow" during a live : does it have to be stoic or jumping everywhere?
- The mixer guy has to provide a lot of backup computers in case of sudden failure and usually customize himself his hardware in order to fit the live : in this case he made a RGB keyboard that did match with the scene lights
- Muscle pain after concert is real and has to be taken care asap (ice, spray...), for the spectator it's arm fatigue when holding the stick for a long time.
- For the vocalists they have to be checked regularly and drink lot of water (Nayuta revealed that she was singing around 30 songs per day those days), one of the issue for them is on stage the light and the audience generate lot of heat/humidity and can hit up to 40 C°
- Word of wisdom of the day : "Recording is like a live and live is like a recording" aka you don't have to force yourself during live but during rehearsal you have to be serious as if you were live
- Tickets from live concert only pay for production costs but it has a huge impact on the band morale if it's sold out, profits are made on goodies sold on the venue and later online but also fund the next one.
