Grimmi's mother loves Native American cock , hope that helpsSo dooby just raided grimmi. I don't know anything about her except for the fact that her name is mentioned a lot here.
Grimmi's mother loves Native American cock , hope that helpsSo dooby just raided grimmi. I don't know anything about her except for the fact that her name is mentioned a lot here.
Also from Kanade, she's looking for a manhwa male character CEO to marry.
Raden's criteria isn't easy either but less outrageous.
It means that it is high time for every single one of us to hit the gym.What's the deal with Commando? The 1985 Arnold film, that is.
I might've missed one or two, but here are the holo JP members who have done watchalongs for it:
AZKi
Subaru
Kanata
Watame
Fubuki (two separate times)
Polka (two separate times)
Polka with Haachama
Polka with Fubuki (two separate times!)
NePoLaBo (so Polka has watched it on stream six times)
Koyori
Ririka
Vivi
And as a bonus, Patra has also done one.
Here are the holo EN members who have done a watchalong for that Hollywood movie:
...
If it was just one member seeing it often, I wouldn't think much of it, like with Fubuki having done three watchalongs for The Greatest Showman, but is Commando in particular some kind of classic hag movie in Japan or something? Or is Polka talking everybody into seeing it for themselves?
Apparently it received some weird dub in Japanese elevating this movie to a meme. If I tried to find a comparison, its something like those Beast Wars Japanese dubs, which turned dark and serious series into a dumb comedy.What's the deal with Commando? The 1985 Arnold film, that is.
Flare got her "ore no IRyS" plushie!
Dyrus, the LOL legend, is gonna collab with VSPO JP's Yuuhi, and two of the EN girls in about 6 hours. Can't say I was expecting that.
This got brought up by a JP viewer during IRyS's Die Hard member stream the other day. Apparently, the JP dub is infamous for being hilarious.What's the deal with Commando? The 1985 Arnold film, that is.
I might've missed one or two, but here are the holo JP members who have done watchalongs for it:
AZKi
Subaru
Kanata
Watame
Fubuki (two separate times)
Polka (two separate times)
Polka with Haachama
Polka with Fubuki (two separate times!)
NePoLaBo (so Polka has watched it on stream six times)
Koyori
Ririka
Vivi
And as a bonus, Patra has also done one.
Here are the holo EN members who have done a watchalong for that Hollywood movie:
...
If it was just one member seeing it often, I wouldn't think much of it, like with Fubuki having done three watchalongs for The Greatest Showman, but is Commando in particular some kind of classic hag movie in Japan or something? Or is Polka talking everybody into seeing it for themselves?
Watch Sakuna reach the equivalent of Super Saiyan 2 for vtubers
Please understand, printer noises might wake her from her subathon.It's 2025 old man. Human have printers, email and camera on their phone now.
1. Purpose of the Market Study
Content such as animation, music, broadcasting programs, films, games, and manga are proud assets of Japan. With advancements in technology, the source of competitiveness in content creation is increasingly shifting to individual creators. On the other hand, there is a growing demand to address transactional practices that hinder appropriate return of earnings to creators, in order to establish an environment where individual creators can fully realize their creative potential.
The Japan Fair Trade Commission (JFTC) has undertaken various initiatives to promote fair and free competition in the human resource and entertainment fields. These efforts include the publication of the “Report of Study Group on Human Resource and Competition Policy” by the Competition Policy Research Center in February 2018 and the release of “Examples of Practices in the Entertainment Sector That May Violate the Antimonopoly Act” in September 2019.
Subsequently, the Content Industry Revitalization Strategy (formulated and specified in the “Grand Design and Action Plan for a New Form of Capitalism 2024 Revised Version,” approved by the Cabinet on June 21, 2024) stated “It is essential to correct trade practices in order to create a comfortable working environment for performers and others. In light of the current technological innovation, the content industry is shifting its emphasis to individual creativity. With the cooperation of the Japan Fair Trade Commission, we will conduct a fact-finding survey on trade practices in the music and broadcast program fields with an emphasis on preventing abuse of a superior bargaining position and protecting individuals, ….”
In light of these circumstances, the JFTC conducted a market study on contracts and other arrangements between performers in fields such as music and broadcasting (including artists, actors, and talents) and the entertainment agencies or production companies they are affiliated with (hereinafter referred to simply as “entertainment agencies”). This initiative aims to establish a transactional environment where individual creators can fully realize their creative potential.
2. Methods of Study
(1) Questionnaire
From August to November 2024, a questionnaire was conducted targeting 2,628 entertainment agencies. A total of 810 responses were received, resulting in a response rate of 30.8%.
(2) Voluntary Interview
From April to November 2024, interviews were conducted with a total of 95 persons and entities, as outlined below.
Performers: 29 persons
Entertainment Agencies: 37 entities
Broadcasting Companies and Program Production Companies: 10 entities
Record Companies: 8 entities
Industry Organizations: 9 entities
Experts (Lawyers): 2 persons
Interesting, but the character model and social media accounts will still be the property of the company, which is what a talent also really wants. I'm not sure what actually changes here if someone still has the name they performed with but entirely different social media accounts and a model legally-distinct from what they had with a company before leaving.Sorry for the double post but I don't think this fits with my joke above.
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VTuberのニュース公正取引委員会が発表独占禁止法上問題があるとする行為に新見解芸名やグループ名の使用制限が含まれておりVtuber事務所を退所した方が名前を使えるようになる可能性があります公取委は問題行為をまとめた報告書を近く公表し、是正を促す。引用画像は読売新聞オンライン
VTuber News: The Fair Trade Commission announces new opinion on actions deemed problematic under the Antimonopoly ActIncludes restrictions on the use of stage names and group names.People who leave a Vtuber agency may be able to use their names again. The Japan Fair Trade Commission will soon publish a report summarizing problematic behavior and urge them to correct it.Image taken from Yomiuri Shimbun Online
芸名(クリエイター名)については、仮に事務所が考えたとしても、その芸名(クリエイター名)を使用している本人に帰属します(東京高裁令和2年7月10日 事件番号令元(ラ)2075号 判例時報 No.2486)。実写配信を認めてるからね、芸名でしかない
Even if a firm thinks of a stage name (creator's name), it belongs to the person who uses it (Tokyo High Court, July 10, 2020, Case No. 2075, Hanrei Jiho No. 2486).
They allow live-action distribution, so it's just a stage name.
There are limits to the utility, but Doki and Mint could still do the second funniest thing.Interesting, but the character model and social media accounts will still be the property of the company, which is what a talent also really wants. I'm not sure what actually changes here if someone still has the name they performed with but entirely different social media accounts and a model legally-distinct from what they had with a company before leaving.